Q. How come you’re not wearing your vampire red contacts right now? Campbell Bower: They hurt. They don’t hurt so much as make me feel a bit sick because my peripheral vision is very much impaired when I have them in.
Q. How would you describe Caius’ look?Campbell Bower: I had a discussion with (costume designer) Tish (Monaghan), and we figured out that Caius probably doesn’t get to go out that much, so… he just steals his clothes from previous victims. The style is nice and smart and sleek and slim and – yeah, I like it. It’s very Italian, and I like the shoes, particularly.
Q. How much is expanded on in the 18th century flashback scenes?Campbell Bower: A little bit – not very much as far as the Volturi go. It’s awesome. It does look really cool and it will be kind of shocking. I don’t want to go too far and ruin it for anyone.
Tenéis otra con él Entertainment Hollywood pero no aporta mucho más.
Michael Sheen (Aro) para Entertainment Hollywood
You arrived on set three days ago. What is it like to come in so late in shooting?
Michael Sheen: It's been great shooting at the deep end of it. The first day filming, we did the 18th century stuff and then some of the modern stuff. It was a lot to deal with -- you know with the wig and contact lenses all day and the makeup -- but it was fantastic. And these sets are amazing and the look of everyone is so strong. So it was great. Just kind of to get right into it.
How did you approach playing Aro?
MS: I loved the thing in the books where Stephenie wrote about how the Cullen family is all really beautiful, and that's what kind of lures people into their web. And Aro is not like that. She describes Aro as being not the same sort of thing.
I like the idea that it's his voice that lures people in -- and his sort of demeanor rather than the way he looks -- because he looks very weird and kind of scary. So I've tried to sort of go down that route to make him very mesmerizing. That his voice is quite gentle and soft, and yet there's something kind of unhinged about him. They're great scenes.
Stephenie was saying that she loved writing this scene that we're doing now. I read it over and over and over again, that particular bit in the book. There's a part where she describes his voice as being quite feathery. That's what gave me sort of the idea of making him very soft and light. I think she describes it as being like a sigh, his voice. And that he's a bit like a concerned grandfather at times with Edward. Even though he's this deadly, really dangerous character, there's something quite sentimental about him, something soft.
Q: You did sort of change things slightly to tailor it to be more cinematic.There are many things that change but as long as we hit the emotional experience I think it will resonate the same way and really 'Twilight' was that same thing. There were a lot of things that were in the book that weren’t in the movie. But because we hit the emotional stepping stones all they way throughout, you took the same journey with the characters that you took in the book and that’s what’s really most important about an adaptation is you have to take your audience in the same emotional journey and your characters in the same emotional journey as they do in the book and then everyone will have the same experience. It’ll be as it is in the book.
You know ['Eclipse'] was hard. The 3rd one was actually one of the hardest of the three for me to write. You read the book it’s got a good deal of action and stuff and you think 'Oh this is going to be the easy one' and it turns out it’s not the easy one. It’s actually the hardest of all, and I was really tired, you know? So, I had to just gear up again. But once I got into it, it founded. Finding it was the hardest part—just finding how to tell that story. As it turns out, a lot of the action is the last chunk. There’s not actually as much that goes on in the front. The front is the setup for that and in a book you can keep the forward momentum going because you’re inside a character’s head. So the book never makes you feel that way. What was fun about doing 'Eclipse' is that Stephenie [or] any writer when they’re creating a world as Stephenie has created, she has to know where all the parts are going. The book is entirely from Bella’s point of view, but she has to know, as a writer, what all these other characters are doing so that when they land in Bella’s world where they come from, you know? So she has a very, very complex detailed mythology, which anyone who knows the 'Twilight' world knows [is] very detailed which is why this is such a great world to play around in. With any Sci-Fi fantasy storytelling you must have the rules be very clear otherwise you lose people. 'O.K., like they can fly but then they can’t fly' or they do this, but not that. But her rules are very, very distinct [and] within that there are just miles of playground, you know? So in knowing that I needed to bring some of that stuff from the back end up forward and track what the other characters are doing, it was just like I I guess what in DVD they call Easter Eggs, you know? I think it’s going to be some Easter Eggs in 'Eclipse' for fans [in that] some of the mythology that Stephanie has written about in other places might show up here. Because you get to do that in a movie, you know? You can’t do that in a book when it’s all one person’s point of view. And yet it’s still very much the book. I mean, that is something that was something from the very beginning with “Twilight” it was about. Stephanie’s one thing was 'do the book. Adapt the book.' And that was the only thing I wanted to do anyway.
What’s really hard is that I lose track of what’s the book and what’s me because my job to immerse myself in it and so I really lose track of what’s Stephanie and what’s me. But what I try to do as much as possible is use things directly from the book because I think there’s moments where the fans here that line, that classic line or whatever it is I try as much as possible to stay and sometimes you get kicked because a screenplay is 110 times [shorter than a novel.] Jacob is a great deal of fun to write. Charlie -- Billy Burke is someone who you just can give a line to, you can give him a deep emotional line or a funny one-liner--this guy can deliver anything and always bring something new to it. And Emmett, I love writing Emmett as well. So obviously more offhand funny kind of characters…
On his stunt work:
Taylor Lautner: I've been doing a lot recently. The cool thing is that they've pretty much let me do all of my stunts. I got to do all the dirt-bike riding. I got to do this really cool sequence that I'm actually not going to tell you about. You've got to wait to see it. But the stunts have definitely been my favorite part so far.
Can you describe what movements you had to learn for the Wolf Pack scenes?
TL: The biggest thing with Jacob's physicality is that pre-transformation, he's described as clumsy; he trips over his own feet, he's a little kid, and he all of a sudden becomes very agile. It wasn't certain movements or specific things I had to do. It's just all of my movements together, even as simple as walking, had to have more of a presence and definitely be easier than before.
Will you put on more weight for Eclipse?
TL: Yeah, I am. Jacob continually grows throughout the series so that means no matter if I'm going to film or not, I'm still going to have to put on a little bit more weight.
What has been your favorite scene to film so far?
TL: I'd either say some cool action scene I got to do, because I really do like the action. Or I really like the breakup scene. We call it the breakup scene. It's the first time Bella sees Jacob after he's transformed when she comes to his house. And she sees for the first time his hair is cut, he's different. He tells her that we shouldn't be friends. It's a really emotional scene.
Considering how moody Jacob gets, do you feel bad for Bella at all?
TL: I don't feel bad one bit. I feel bad for myself. When I was reading the books, I felt so bad for Jacob's character, but now that I'm actually living him, I feel way worse.
Bella is toying with Jacob. I don't care if she's ripped between the two guys. I feel so bad for Jacob because she confuses him. One moment she'll want to kiss him, and the next moment she's ditching him for Edward. I understand where Bella's coming from, and it's a crappy situation for all of them, but I feel really bad for Jacob.
A lot of fans are really looking forward to the scene in Eclipse where Bella and Jacob finally have the kiss.
TL: Yeah, so am I.
Justine Warchsberger (Gianna) para deadcentral.com (más que nada para que le veáis la cara)
No hay comentarios:
Publicar un comentario